I have found that
introducing poetry first by having students write their own original poems
based on appropriate models like William Carlos Williams’ “This Is Just to Say,”
which is presented to us in the form of a note from the speaker of the poem to
his wife concerning the matter of some missing plums, works best.
Theodore Roethke’s “My
Papa’s Waltz” has always been my favorite starting point when it comes to
analyzing poetry because it has just about everything a teacher could possibly
want in a first poem: a great deal of highly
evocative imagery, a bare minimum of figurative language, an easily discernible
rhythm and rhyme scheme, and an intriguing situation.
I rarely assign the
reading of a single poem for homework, at least not in sixth or seventh grade. I would much prefer to
have a member of the class read a new poem out loud to his or her classmates at
least twice, once to feel his or her way through the lines and once to give the
reader’s increased sense of the poem a chance to shine.
Then, based on what
students have heard and on the text of the poem, which they all have in front
of them, I begin a conversation about what the poem might “mean." Obviously, during this discussion I ask some
leading questions, and I also try to get students to reread lines to make what
they believe even more apparent.
Eventually I will
distribute a handout defining such terms as the poem’s subject, speaker,
audience, and tone, and eventually we will talk about theme, but not too
quickly. “My Papa’s Waltz,” written in iambic trimeter, is a wonderful poem to
scan, and as soon as I define rhyme
scheme, my students nail it.
I hope you will take
the trouble to find the poem, read it, and, employing the materials I have provided,
use it in your classroom. Good luck!
Harper
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